Climate and Community Justice through Food with GramOunce
Made in the Middle
Courses for Dis-Course(s)The Podcast and Publication
Material Matters- Bloomberg New Contemporaries
- Manji, Charpai, Daybed x Greenwich & Docklands International Festival
Don’t play with your food - Jalebi Press
- Hospital Rooms x Sandwell CAMHS
- Rhythm with Osman Yousefzada Aftercare with Liverpool Biennial
- Comrades (Midlands) with Outside In x EXPLORERS project
2023 ++ - Courses for Dis-Course(s)
- Quisse of the Komagata Maru
- Khao, peyo, aish karo, but don’t hurt anyone’s heart
- Care Work ft Desi and Disabled
- But what if I gave myself an ounce of the care I show for others?
2022 ++ - DIY Disability
- (Astral Village) slooooowwwww with Sahjan Kooner
- Nangal Pend-ing/ DarkVillage.stl with Sahjan Kooner
- Daybed Charpai Manji Very Modern Stylish
- breathe, spirit and life 呼吸、靈魂與生命 with Katherine Ka Yi Liu
- Searching for Sangat with Artlicks
2019 - 2021 ++
Diva BLEEP!- Rankin x Water Aid
- at Niru Ratnam with Jan Agha
- Joya: arte + ecología / AiR
- As round as the Son with Sharonjit Sutton
Khadi with Bharti Parmar - Cold Comfort and Cultural Identity
- The Encyclopaedia of Cultural Dysphoria
- Nangal Khera
- Coordinates - curating beyond the crisis
- The Anthropology of the Self
- Cooking in Crisis
- Ghar
- The art world Birmingham as seen by Franny
- Panj Din
- Cha Wali
- Everything, Everywhere all at once
- Pittu Garam and other stories
About
©2024 Roo Dhissou and Jalebi Press. Please ask for permission when referencing my writing because it may contain original references to my PhD, or using my images as they may belong to one of my many photographer friends.
Joya: arte + ecología / AiR
My practice and research situate themselves around the term Cultural Dysphoria. Cultural Dysphoria is a relatively new term which I hope to give weight, through my artwork and an upcoming PhD scholarship.
I came to Joya: AiR with the intention to explore the culture of antique water systems specific to the region, with the water systems of my native Punjab.
Upon discovering the ways in which water traverses the land there, I explored indo-futurism, the body as a site, spiritual beings, cyborgs and climate in order to create a narrative based film which will release later this year in November.
As well as great studio space, time and a landscape which breeds creative thought, Joya also introduced me to four other great artists from San Francisco, Barcelona and Paris. This gave me a chance to collaborate and allowed me to think about my practise in an even more interdisciplinary manner. I’m looking forward to returning to Joya later this year to launch the film and also to see what new inspiration and meaningful connections it can bring.